In Doomsday Clock, however, the publication of Rorschach’s journal was taken in deadly seriousness. In the TV series, Ozymandias’ plan kept the world from descending into nuclear apocalypse, and Rorschach’s journal, while discovered, was dismissed as the dangerous musings of a certifiably delusional crank. Like HBO’s Watchmen, Doomsday Clock shows us what could happen after the ending of Alan Moore and Dave Gibbons’ Watchmen, but in a very different way. But Rebirth #1 had set up a big blue Chekov’s gun, and it wasn’t until Doomsday Clock that we got to see it fire. Rebirth was a promise of change and refocusing that largely delivered. According to Rebirth #1, many beloved but deleted elements of DC continuity - the Justice Society, the Flash’s original sidekick, the League of Super-Heroes, Green Arrow and Black Canary’s marriage, Superman’s human parents - all had the same in-universe reason for why they were missing.ĭoctor Manhattan had deleted them from the timeline. The company’s “Rebirth” relaunch was a tonal shift that involved a lot of renumbering of books, and it kicked off with Rebirth #1, a one-shot story that revealed that something had altered the timeline of the DC Comics universe without its heroes realizing. In 2016, DC editorial offered something of a mea culpa. The initiative was criticized for lacking diversity, on the page and behind it for failing to bring in the new readers it was supposed to and, of course, for throwing the baby of beloved continuity out with the bathwater of excessive continuity. Almost nothing in comics happens without controversy, but the New 52 was famously controversial. To explain exactly how that came to be, we’ll have to go back to 2016 - or really, to 2011, with the debut of the New 52, DC Comics’ first continuity reset in 25 years. On paper, Doomsday Clock is a space-time warping crossover that promised a final confrontation between Doctor Manhattan and Superman. The story, as advertised, seemed to be a considered response to the ways in which the success of Watchmen has warped the superhero genre, though told through the most cliche of superhero formats one could imagine. With art from the team of Gary Frank, Brad Anderson, and Geoff Johns, DC was pairing the chief creative officer of DC Entertainment with a familiar team of best-in-the-industry artists. Geoff Johns, Gary Frank/DC Comics But first, a Rebirth recapĭoomsday Clock launched in November 2017 with a lot of hype on the part of DC Comics - most of it deserved.
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